Spending the summer of 2012 in Santa Fe, where I had lived from 1980 to 1993, brought back memories. In that dry, arid climate I was flooded with memories of my years in New Mexico. It was a period of reflection and contemplation. One day in July I walked into a Santa Fe art gallery where Judy Chicago’s Power Play, a body of paintings from the 1980s, was on exhibit and I was transported to

In the summer of 2011 I worked, in collaboration with the Florida Holocaust Museum, at Pinellas County recreation centers with middle school youth. The project, Speak Up, Speak Now! was designed to educate youth about the Holocaust and, by extension, to bullying and gang violence. There were speakers who lectured and showed videos on the subjects of the Holocaust, bullying and gang violence, a writer worked with them to create and perform a play and

“A flower touches almost everyone’s heart,” and “I’ll paint…what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it,” stated Georgia O’Keeffe in the early part of the twentieth century. When I taught a two day workshop to teenaged girls through the O’Keeffe’s Museum’s Art and Leadership Program at the Santa Fe Art Institute in the summer of 2012, my students learned about

      My student, Gina White, and I have work in the All Florida Juried Art Show at the Morean Arts Center.  Several of my students have work in the Student Show, and I have a piece in the instructors show.

In 1980, shortly after moving to New Mexico, I started work on an installation entitled Suttee, Moths and the Bomb: a Trinity. I lived near Los Alamos where the nuclear bomb was developed and not far from Trinity sites where it was first detonated. In this installation I drew parallels among moths, insects that, according to one theory, fly into flames because of an evolutionary failure to adapt, and widows of India who were burned